“The brilliance of K. Elizabeth Stevens… accentuated the lack of convention in the show’s text, and exacerbated the lack of adherence to established theatrical conventions.”
~The Swarthmore Phoenix
AIRSWIMMING
"Director K. Elizabeth Stevens contrasts the two personalities effectively; while the two women clash, they also come to depend on each other."
"four sold-out performances were [a] magical mix of Graham Cracker cabaret...and a story that her alter ego, Dito van Reigersberg, cooked up with the help of...too-rarely-used director Elizabeth Stevens"
"Stevens deliberately used the dark backdrop of the woods to enhance the organic aspects of the play. The deconstruction of the barrier between the contained stage and the woods behind it introduced a sense of drifting between the physical world and fantasy."
"Baby with the Bathwater...is proof that there are good playwrights and directors left in this world"
"Director K. Elizabeth Stevens [directs] with intuitive feeling for pace, a real understanding of Durang's deranged, quick-change style, and a striking a-symmetrical visual sense - a winning combo."
"The evening is a must-see simply for Steven's beautiful handling of the play's ending: an unexpectedly poignant moment at the end of an irreverent stomping."
"Under [stevens'] guidance the cast captured the gesture and mimicry that are essential to Gombrowicz's characters and wholeheartedly abandoned themselves to his absurdity. this peripatetic movement kept the audience engaged as Stevens deftly drew Ivona to her riotously mordant end."
"Intelligent and unsettling, Bee-Luther-Hatchee pulls off a nearly impossible trick: creating a situation in which two people, at a complete bypass, are both right and wrong at the same time."